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One of my favorite art forms is
music, and it's always important to have inspiring and thought-provoking
aural ambient stimulation. Generally speaking, I listen to R&B, Soul,
Jazz, Funk, Acid Jazz, Ambient Drum n' Bass, and some Classical. Listed
below are some musical artists who I regularly listen to; I have seen
many of them live in concert and been moved by them. Their music resonates
with my character, and each have influenced and inspired me at various
times in my life.
Very special
thanks to my close friend Tony for his assistance with this part of
my site.
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Gabriela
Anders
Gabriela Anders is
a relatively new Argentinian vocalist whose songs of love and loss
are kissed with jazz, Brazilian pop and R&B sensibilities. Her music
contains a sensuous and syncopated passion, and combines a wide range
of musical influences, experiences and innate sensibilities. Her untypically
mature debut album, Wanting stays parked in my player often. |
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Erykah
Badu
"The mothership
can't save you, so y'ass is gon' get left..."
This hot young soul
goddess captured my heart with her perfect charms. Not only can she
invoke the "I can do anything 'cause I'm a woman" attitude,
but she can fall down into a mudpit, then put on the big dress, sing
her heart out, then, finally, put a spell on the men that makes them
tell the truth. |
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Kathleen
Battle
This diva has a lovely
lyric soprano voice, which I love. On Baroque Duet, her 1991
Sony Classical recording with trumpeter Wynton Marsalis and the Orchestra
of St. Luke's under the baton of John Nelson, I enjoy her performances
of compositions by Scarlatti, Handel, Stradella and others. |
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Tracy Chapman
I have been fortunate
enough to see Tracey twice: once in 1990 and once in 1996. Her explorations
of matters of the heart are always reflective of the simultaneous
joy, despair and complexity associated with intimacy. Her New Beginning
album is in my mind her best work yet: it has a rich and earthy feel.
She truly deserves the Grammy she won for "Give Me One Reason",
which was such a crossover hit, and included an excellent video directed
by Atlanta filmmaker Julie Dash (who directed one of my favorite films,
"Daughters of the Dust"). |
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D'Angelo
"Brownulated
Pure Soul Brown Sugar" ("I want some your...")
This singer, songwriter and producer has the silky voice and the smooth
tones. His Y2K album release, Voodoo, really does put a spell
on you! I would definitely like to catch him sometime when he comes
to Atlanta: I heard that his last shows in Atlanta here were the best!
His voice is the kind that can make and keep you high with lush tones
that explore love, lust and ache... |
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Davina
"I don't
wanna be wrong, but it feels right; If lovin' you is so strong, it
can't be wrong..."
Homegirl blasted
her talents out all over on the soundtrack to the film "Hoodlum"
in 1997. Her masterful and addictive debut is *still* stuck in my
player. The tracks combine in a steady groove in which she compels
you with her ache-filled, harmonic voice. |
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everything but the girl
Although I have been
familiar with ebtg since around 1987, I didn't manage to see them
in live until their Fall 1996 show at the Roxy in Atlanta. The show
was astounding: Ben "opened" for them, mixing a furious
combo of Brit acid jazz and drum n' bass for over an hour. Then, Tracey
joined him for a set that covered songs from many of their albums,
completely mixed in their now well-known sound, which combines intimate,
delicate vocals with break-beat, organic layers of rhythm. |
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Dione
Farris
Ever since her days
as one of Arrested Development, Ms. Farris has graced us with her
excellent voice and her undeniable soul. On her debut album, "Wild
Seed Wild Flower", she created music that is intelligent and
honest, yet down-to-earth --- it's a truly memorable production. Her
ability to blend rock and R&B has given her music a personality
all its own. |
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Bryan Ferry
& Roxy Music
Roxy Music came through
at the dawn of the Seventies to demonstrate cool style and powerful
ensemble work with strong individuality, fronted by the unique vocals
of Bryan Ferry. In addition to Roxy Music, Ferry has produced many
interesting solo works, using his haunting vocal style to cover everything
from Cole Porter to "Amazing Grace" to "I Put a Spell
on You". His 1985 release, Boys and Girls, is still one
of my favorite albums, with incredibly rich and sensuous orchestrations. |
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Billie Holiday
What can I say? This
woman is a legend, and I have felt her influence in the many performers,
writers and artists who have lived after her. None can match her fiery
blue soul. |
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Groove
Theory and Amel
Larrieux
"Tell me
if you want me to, give you all my time. I want to make it good for
you, 'cause ya' blow my mind." Groove Theory hit the scene
big time in 1995, and both Amel and Bryce have been major players
in many other musical efforts since then. Amel's spirited and sultry
voice has driven hits for such acts as Sweetback and others. Amel's
solo effort "infinite possibilities", due out February 2000,
should help reignite our love of her dreamy vocal talents... |
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Jamiroquai
"All these
things we do, will make our dreams come true..."
I was introduced
to Jamiroquai on a trip to Vienna in January of 1995. "Return
of the Space Cowboy" was real big then. Their most recent album,
"Traveling without moving", is a delicious blend of jazzy
funk and soulful vibes. Jamiroquai has the ability to combine percussive,
synthetic and vocal arrangements into lush, multilayered, multireferential
arrangements. |
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k.d. lang
From twang girl to
chanteuse, this powerhouse of a woman has publicly explored more aspects
of her identity than most superstars. Ms. Chantelaine has flirted
with us, through her ingenuis lyrics and musical arrangements, encouraging
us to love deeply, to take chances with people, and to release our
sexualities. Like most artists whose music I enjoy, she often has
remixes done which can burn the pants off you... or, you can just
sit back and sip a beer while grilling your vegetarian burgers in
the summer sun. |
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Wynton
Marsalis
Since I played the
trumpet when I was younger (who knows, I may again someday), I have
a special fondness for the horn. Wynton Marsalis has -- since the
Classical Jazz series that was conceived by Alina Bloomgarden began
at Lincoln Center in 1988 -- been Artistic Director of what later
became Jazz at Lincoln Center in 1991, the most important jazz
program in the world. I enjoy his versatility, from jazz classics
to Baroque duets (my favorite of which are with opera singer Kathleen
Battle). |
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Maxwell
This fine brother
put on a show in the fall of 1997 in Atlanta at the Roxy. He
has often been compared to Marvin Gaye, and I think he fits the comparison.
His last full album release, EMBRYA,
was pregnant with a silky groove and ethereal lyrics that woo and
please just like he did the last time... |
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Morcheeba
This British trio's
releases (especially big calm, which gives me just that), stay
in my CD player. The soulful, haunting vocals of Skye Edwards, combined
with their entrancing, atmospheric music, comes off with a smooth,
trippy, jazzy feel. Their music has an intimacy and a directness that
feels like you've journeyed past trouble, to a place where honesty
and maturity are king. |
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Meshell N'Dgeocello
I have had the distinct
pleasure of witnessing this maverick of a performer twice. Both times,
Meshell blew me away with her all-out, forthright lyrics and her take-no-shit
attitude. The woman can command her music, combining highly intimate,
politicized words with funky rhymes and basslines. In her 1996 concert
in Atlanta, she performed a searing set against a large, sensuous
red drape covered with Eastern spiritual symbols. |
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Sade
Everyone is familiar
with the lovely Ms. Sade Adu. I have seen her twice in Atlanta: once
at the Fabulous Fox Theatre and once at Chastain Park Amphitheatre.
The Chastain Summer deLuxe concert was the most special; experiencing
her enchanting voice and sensuous presence under the summer stars
while sipping wine was beyond compare. With Lovers Rock, her
latest release after an eight year hiatus, this incomparable chanteuse
reaffirmed her rule over the bedroom and lovers everywhere... |
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Ryuichi Sakamoto
Ryuichi Sakamoto
is truly a Renaissance man! He has appeared in Madonna's "Rain"
video, produced the soundtrack to the film "The Last Emperor",
and contributed to the recent "Red Hot and Rio" compilation.
His memorable album Smoochy is one of my favs, taking a cue
from Brazilian rhythms with its intoxicating and sensual tones. In
addition, his Web presence reflects his status as a truly creative
genius, with links to his numerable web projects, film scores, electronic
music, and webcasts. |
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Seal
Seal is one of the
few artists represented on this page that I can say has truly affected
my experience of life's trials and tribulations. I began listening
to him in 1990, with the release of his first album, when I was moving
"out on my own" for the first time. "The Beginning"
was truly the start of my love for his particular combination of intensely
personal lyrics. I have seen him three times in Atlanta: during each
concert there was a decidedly elevated feeling of overcoming life's
difficulties and celebrating connections through intimacy. His CDs
stay parked in my player. |
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Nina Simone
Nina Simone's special
brand of low-voiced, powerful blues has engaged my attention for some
time now. Her vocal style contains a deep and honest plea for companionship,and
for an overcoming of strife in a world that is sometimes set against
you. |
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Lisa Stansfield
Lisa has been a recipient
of my attention ever since "All Around the World" was a
big hit. She is definitely one of the British soul singers who has
had major crossover appeal, mostly due to her loving, honey-colored
voice. She is one of the few pop singers who I could, and do, listen
to over and over. Who else can cover Barry White's "Never Gonna
Give You Up" with such silky fire (not to mention a sassy video
where homegirl walks naked through the streets to find her man)? |
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Swing
Out Sister
This British group
blends pop and jazz into a delicious combination that has evolved
over the years. Over the years, they have moved from a more polished
production level to a more freeform jazzy lounge style, which has
given them much-deserved attention from jazz-oriented festivals and
radio stations, such as Clark Atlanta University's WCLK
- the jazz voice of the city. |
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Talk
Talk
Although they have
disbanded, this British musical group that has captured my attention
for many years. Their work resists categorization, especially "Laughing
Stock", which was one of their most ominous and eerie compositions.
I think of them as composers of ever-changing reflections of moods.
They take me to places beyond the present, but still within the natural
world. |
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©1997-2002
William A. Curtis, Jr. All Rights Reserved.
Last Modified on 16 Dec 2000. |